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Wash, Pencil, Grey-brown ink on yellow paper The setting of this Dance of Salome resembles more a Florentine palazzo from the middle of the sixteenth -complete with a special balcony for the band of musicians, top left- than a palace in Jerusalem in the early years of the first century. The spoken word opera features poetry, dance, music and trippy projected imagery. She began writing the libretto five years ago, after Frank London, a Grammy Award-winning klezmer and world music artist, suggested they work on a project together.

Suri Chung (11) Invitation to the Dance

A Canadian, she teaches at the Pratt Institute there. The Salome story many of us are familiar with was created by Oscar Wilde. His play about Salome is fake news from the 19th century, Karasick said. Karasick refashioned Salome, giving her a weight and a history and a context that befits Jewish royalty and a strong, powerful woman, she said.

Gertrude Hoffman and the Dance That Offended Public Decency | Museum of the City of New York

An ecstatic relationship ensues, even though Salome, in this rendition, ends up killing John the Baptist, as per his bidding. She added that Wilde presents Salome as a sexualized object.

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In the show, Karasick delivers the text in Hebrew, Yiddish and English, in a rolling, sing-chanting style. Dancers Rebecca Margolick and Jessie Zarit, who play the parts of Salome and John the Baptist, are responsible for much of the choreography.

After experimenting with different styles of dance, they settled on modern jazz ballet. Performed by London on trumpet, percussionist Deep Singh and keyboard player Shai Bachar, the music is a klezmer, bhangra and Middle Eastern mashup. The festival runs from Aug. Anti-Semitic crimes in California increased by 21 per cent in U of North Carolina students discover 1,year-old mosaic in northern Israel. Family donates Shoah claim to Holocaust fund.

Prom 8: Invitation to the Dance

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