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Email Newsletter. Log In. Toggle navigation MENU. Email Address. I love the relationships she forges, both with the imprisoned gods and with other humans living in the palace, but mostly I loved her relationship with Sieh - a trickster god so great he reminded me of Shakespeare's Puck Robin. Sieh is such an amazing and different character and Jemisin never lets you forget that he isn't human. So, yes. I loved it a lot. And I cannot wait to read the next book in this trilogy and I am beyond excited to see where this story goes next.

Jemisin is fast becoming one of my favourite authors. Everything above still stands. Apr 22, Chris rated it liked it Shelves: scifi-fan-group , read-owned-part-of-collection , read-owned , specfic-group-reads , sffbc-challenge. Original impression April : 2 stars - Meh I'm burned out on spending a lot of time on stuff I don't want to spend time on. Revised impression July : 3 solid stars. It turns out this book wasn't finished with me yet. I thought I had put it behind me, but it kept creeping back to my mind and I couldn't help but want to see where it would go All in all, I was pretty impressed by the end, and I might even continue the trilogy View all 3 comments.

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Aug 23, Gergana rated it it was amazing Shelves: setting-fantasy-world , traditional-fantasy , favorites , gods , politics-and-courts , own. First read in Last read in All images are drawn by me, for higher resolution visit gerynh. Yep, this series is about Gods. It was the first novel that introduced me to fictional politics and quiet mysterious dudes with power over darkness There are a few reasons w First read in Last read in All images are drawn by me, for higher resolution visit gerynh.

There are a few reasons why you might enjoy this book: A. You're into mythology and legends, you like books about gods and their interactions with mortals. You're into philosophy, contemplating what would happen if part of humanity had control over divine powers.

You would like to see another hot juicy romance between a simple mortal girl and a dude-controlling-shadows You like the cover! Best reason of them all! And one kingdom to rule them all. A kingdom that has actual Gods as slaves and the ruling family, the Arameri, can command them at will.

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  • This is the world of Yeine, a half-blooded Arameri and a leader of a small matriarchal tribe that is barely surviving in the jungles. One day she is summoned to the court of her grandfather, the King, in the city of Sky and named potential heir to the crown. Yeine Yeine comes from a tribe where women don't shy from battles and, as a leader, she isn't inexperienced in politics and back-stabbing. Yet, the whole situation doesn't make any sense to her: why is her grandfather interested in her now, after so many years.

    Why would he name her heir, when there are already two contestant competing for the crown. When Yeine arrives at the palace it doesn't take long for her to get in trouble with other Arameri and the Gods themselves. Sure, having a mass of darkness aka. Nahadoth, the God of darkness chase you around a floating castle, isn't an ideal first day for anyone, but Yeine soon manages to establish alliances with the majority of the Gods inhabiting the place, promising them freedom in exchange for their aid to become the next successor to the crown.

    Wars cause too much chaos and change, something that the main deity of this world - Itempas, despises. Itempas - God of law, order and light. But it wasn't always like that. Long ago, there were three main Gods. Itempas - the god of law, order and light Nahadoth - the god and sometimes goddess of darkness, night and chaos.

    And Enefa - the goddess of twilight, dawn, life and death. One day Itempas, guided by jealousy and loneliness, slew Enefa and imprisoned Nahadoth and three of the children gods, to serve humanity. More details in book 2 which is actually even better XD Anyways, let's just say that most of the Arameri are kind of messed up in the head and even an ancient, all powerful and immortal being, such as the God of Darkness will do anything possible to "misinterpret" their commands and screw with them as much as possible.

    Nevertheless, it's not easy being a slave, being able to use your power only when you're commanded to and watching your children being tortured for centuries by the species you were part of creating. In terms of geography, it's nothing spectacular. The best part, of course, is the mythology and how the Gods fit into the whole story. It was interesting to see such powerful beings trapped into human existence, how people's mind can change when not even the majority of the Gods can oppose their will.

    Speaking of which The Gods - They are massive, fathomless and incomprehensible. I loved it when they tried to act human for the benefit of Yeine or when they were forced to by the Arameri , but then they would say or do something that will leave you feeling uneasy and shaky. Nahadoth is able to use only a fraction of his power during the night and you get a feeling that this book can only touch the surface of his character. Sieh - the God of childhood and lies, is probably my favorite character. He is the eldest of the godlings, yet, he appears most of the time as a nine-year old child - innocent, sweet and curious.

    Sieh is the first godling to befriend Yeine and he always tries to appeal to her motherly instincts. However even children are capable of cruelty and deceit. Sieh has planets and suns as his toys, he is capable of stealing away worlds and threatening to kill you in the most horrifying way. It wasn't bad, but I missed the emotional connection between the characters. The whole time, it felt like they were just using eachother to achieve their goals.

    And I liked that. I prefer to see them as friends with benefits ; Yiene - I wasn't a huge fan of Yiene for some reason. She is supposed to be a strong and clever woman, but most of the time she spends running around and worrying about smaller things rather than looking at the whole picture. It's in my list of favorites and there is nothing I would love to do more than push this book in people's faces until they agree to read it.

    Unfortunately, I'm not an Arameri and I don't own any Gods to punish anyone who opposes my will Would I recommend to a friend? My answer is Do you like political fantasy not too overly complicated? Do you want a read a book about immortal, all-powerful beings trapped into human existence? Are you fond of romance that didn't make a lot of sense for me, but it was still good. Do you have hundreds and hundreds of books in your tbr-shelf and wouldn't mind adding one more? If the answer is "yes" then go ahead. I hope you enjoy it as much as I did hopefully, even more : More Recommendations: Books with sexy shadow-wielding-men: Shadow and Bone by Leigh Bardugo is my favorite, A Court of Thorns and Roses is pretty popular too.

    Both are YA though, and focus more on the romance which I didn't get, yet again. Cloud Roads by Martha Wells - a book that was recommended by N. Jemisin and ended up becoming one of my top 5 favorites! It's unique and freaking amazing! Feb 27, Geoffrey Dow rated it did not like it. For the record, my copy of N. Jemisin's The Hundred Thousand Kingdoms came courtesy of a contest conducted by the writer Tricia Sullivan , whose novel, Maul , I read a few years back and which which has since stayed with me far more strongly than most.

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    Stormwinds over a cardboard world: Nebula-nominated first novel is epic failure I opened N. Jemisin's now Nebula Award nominated first novel, The Hundred Thousand Kingdoms , having occasionally read the author's blog and commentary elsewhere on the internet, and was well-aware the book had been getting a lot of positive attention since it was published last year. In other words, I was looking forward to reading at least a very good debut novel and hoping for even more than that.

    Instead, I find myself obliged to discuss a first novel about which I can find almost nothing good to say whatsoever — except to note that, on page , the author offers a striking and I think original metaphor for the female orgasm. The Hundred Thousand Kingdoms is a novel remarkable only for the lack of detail and verisimilitude of its world-building, the droning sameness of its characters god or human — you can't tell them apart , the thoughtlessly anachronistic dialogue and banality of its prose. The Hundred Thousand Kingdoms is not the worst novel I've ever read there are lots of bad books out there , but it might be the worst highly-praised science fiction novel I've ever come across I say "might" because it has been many years since I read Lord of Light.

    The basics include a number of standard fantasy tropes. A world not quite our own, shared by humans and a more ancient and powerful race; a heroine with a Special Destiny; a society with a pre-industrial technology plus magic and a feudal political order with a cruel and corrupt extended family at the top of the heap. There's nothing inherently wrong with re-using the familiar to tell a story, but there is a lot wrong with using those tropes so badly the reader never feels they are looking in on another world, let alone that they have actually entered into what Tolkien called a secondary creation.

    For a fantasy to succeed, it must convince the reader of not only the reality of its narrative but of that narrative's background. The author must pay attention to such things as his or her world's history and culture, to its tools and technology, as much as to character and psychology. To my ears, neither Jemisin's world-building nor her character-building convince, let alone provide cause to care.

    Worse, her prose is sophomoric and her dialogue painfully melodramatic. I did not answer, and after a moment Scimina sighed. Since Darr in fact has no new strength, that means the entire region is becoming unstable. Hard to say what will happen under circumstances like that. I'm merely passing the information along. We Arameri must look out for one another. These are not words that sing, nor dialogue that breathes.

    Is there anything in this book that does? Click to read more. Jul 04, Matthew Quann rated it it was amazing Recommends it for: fantasy fans, adventure-seekers, change of pace. Shelves: favourites. Man, oh man, oh man, oh man I honestly can't remember the last book that kept me so fastened to the couch, ignoring social calls and daily rituals just to read one more chapter. Okay, maybe just one more This book is relentlessly fun, and for a first novel in a trilogy it moves at an unrelenting clip. I kept saying that I'd put the book down, only for the end of a chapter to beg a bit more reading.

    This book gave me a much needed defibrillation t Man, oh man, oh man, oh man This book gave me a much needed defibrillation to my summer reading that has left me invigorated. The worst part? The trilogy collection sat on my shelf for months and months, always put off in place of a novel I thought might be more "important", challenging, or rewarding.

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    I originally decided to pick up the trilogy for two reasons: a Junot Diaz a favourite author of mine placed it on his world-building creative writing syllabus at MIT. A syllabus which highlights a diverse group of authors rather than just a bunch of white dudes. But, as I mentioned, I kept putting the whole series off. Then, as I was finishing up with my last couple books, I decided to put my intended reading list on hold and test the waters with Jemisin's trilogy. If nothing else, I was sure that it would be a reprieve from the heavier stuff I've been into lately.

    As you may have already gathered, I couldn't get enough. Our story begins with a style that instantly caught me off-guard for a fantasy novel. First person narrative, sure. But the modern dialect and style? The asides directed seemingly at the audience? This book, right away, declared itself different from the pack. Yeine, a barbarian girl called from her country to live amongst her mother's royal family, gets to hang out with the gods. The rub is this: thousands of years ago there was a calamity and the gods were enslaved by Yeine's ancestors.

    Of course, there's a good bit of slavery going on with the general population in Sky, the city built for royals by their enslaved gods. Jemisin does something really great here: she makes a story about the myriad horrors of slavery using a really awesome fantasy narrative.

    As I was ripping through pages and Jemisin was battering down fantasy tropes, I had to pause every once and a while to admire the different type of story she was trying to tell. This book isn't all about sword fights, magic battles, and struggles for power though there's that too. There's sex, thoughtful conversation, and a heroine whose strength demands to be admired.

    I was pleasantly surprised by Jemisin's ability to take what I worried would be a tired romance story and turn it into a series of cosmic, universe-bending sex scenes. It may sound crude, but Jemisin elevates the genre by touching on subjects and concepts that other authors shy away from, sex being just one of them. Of course, this is all stuff I love. I loved fantasy novels when I was growing up and I usually can take something from even the bad ones I read today.

    I mean, there's just something appealing about a dragon fight that doesn't need a lot of dressing up. But I can understand that not everybody has that same sense of nostalgia and affinity for a given genre. What makes The Hundred Thousand Kingdoms so great is that it refuses to play by the rules and tropes of fantasy, and instead offers a new type of narrative that feels important. The lore is unique, the writing modern and exciting, the characters vividly imagined Nahadoth and Sieh stole entire scenes for me , and Jemisin's traded a pseudo-medieval Europe setting for something completely different.

    So, I totally recommend this one. I haven't had this much fun with a book all year. I loved uncovering the secrets of Yeine's family drama, I absorbed the history of the gods, and thoroughly enjoyed the Hogwarts-as-torture-castle setting of Sky. The story also ends in a way that sated my hunger for the story and characters but also, in a cute bit of narration, promises more to come.

    So, you could read this one and move on, but with such a cheap omnibus, why not keep on with it? I'll be reading the rest of the trilogy over the summer, using them as breaks between some of the more obtuse writing I have ahead of me. But enough time spent with me and my review. You've all got a book to read. Shelves: fantasy , magic , epic-fantasy , sci-fi , all-time-favorites , high-fantasy. I loved this so much. No big, spoily spoilers, though! Just explaining things a little.

    I'm not sure where to begin. Should I may begin by how much well-written this was? Jemisin is one hell of an author, that is most certain. I loved the world, it was nicely-crafted. From Godswar to how it all came down to the Enefadeh being prisoners of the Arameri. Yeine Darr is an Arameri.


    She's called to the 'Sky' a floating palace, that's a sight to build in your head by her grandfather who's, in a way, the King though the Hundred Thousand Kingdoms are not ruled by just one person. Yeine is one of the three contenders for her grandfather's position. Two cousins of her are also in the run. The problem is that she is in danger, from the moment her grandfather got her in the competition.

    In her first day at the palace she meets the Gods. Let's go back a minute. Sieh is the God of Mischief. Though, the decision is easy to make she must not be quick to do so because she really doesn't know why the Enefadeh want to assist her. I won't delve more into this. From the Gods, I must say I loved Nahadoth the most. He was just so mysterious, he had so many aspects.

    It's nice to see how Yeine gets through to him. Also, Sieh, that little boy-man, may be the cutest thing ever. Don't be doubtful about reading this. Thanks for reading my review, bookworms. When I saw the translation of book two in a German bookstore some weeks ago, I simply was drawn in by the blurb on the back of the book. It sounded like a stand-alone — or at least like the first book in a trilogy — so when I went looking for the English version, I was surprised to find out that it was in fact not.

    Let me tell you, the summary does not do this novel justice. It makes it sound pretty average in the field of epic fantasy: Parent dies under mysterious circumstances? Heroine is thrust into a completely new and unfamiliar situation? Heroine is presented with a seemingly impossible challenge? And, most importantly, the summary includes the words political intrigue or power struggles? But The Hundred Thousand Kingdoms is anything but average. It is fresh and original, and surprisingly different.

    I have to admit that some concepts were a bit difficult for me to grasp, to relate to entirely, but nevertheless, I enjoyed this book immensely. A special trait surely is the narration. The book is told in first person, as a kind of giant flashback with shifts in time every now and then.

    The style is somehow informal, with Yeine, the main character, addressing the reader directly from time to time. There are hints at what will happen later, dreams and conversation with unknown people thrown in where they don't seem to fit, flashbacks to events some days previous. So yes, I think you can kind of get an idea of what happens in the end, but for me those passages were a little too cryptic to figure out. They are clearly distracting and might leave you more than a little confused — but I think they are meant to be that way. Even though the full potential is not always realized, this novel is amazingly carved out in both characterisation and world building for a debut.

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    It represents more an inner struggle than an epic war fought out on the battlefield, but for me that was just right. I tend to get bored by battles pretty quickly. Mostly, they are refreshingly ambivalent. Recommended for everyone looking for a different kind of fantasy who is not weirded out by the idea of gods and mortals mingling — in every possible sense ;.

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    View all 19 comments. Dec 31, Ashley rated it really liked it Shelves: class-gender-race , not-quite-five-stars-but-sooo-close , award-winners , fantasy , murder-most-foul , romantical , speculative , lgbtqia , folklore-and-mythology , you-wrote-about-what-now. You can always tell when you come across something and know you've never quite read anything like it before, because afterwards, your brain won't know quite how to file it away.

    It has to create new paradigms to fit stuff into. I was in that stage for quite a while after reading this weird, sensual, dark, joyful book. Our main character Yeine lives in a world where belief in the gods is not an option. The gods walk among them. It's a world where one nation, the Arameri, have all the power because You can always tell when you come across something and know you've never quite read anything like it before, because afterwards, your brain won't know quite how to file it away.

    It's a world where one nation, the Arameri, have all the power because 2, years before when the God's War sundered their world, they landed on the winning side. There are many gods and godlings, but only three main gods.

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    • The winning god, Itempas, killed his sister, who had betrayed him, and now imprisons his brother and the children who fought on their side. It is this that makes the Arameri powerful. Itempas gave them the defeated gods in human form, imprisoning them at the will of the Arameri. For 2, years they are used as playthings and world-destroying weapons. Publicist Windsor. Acquisitions Editor Edmonton. Executive Director Toronto. Technology Specialist Toronto. View All. Latest Issue.

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