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If you would like your print sooner, please contact your local print sales representative for stock information. He always seemed to be in the right place at the right time. He has used it to transform himself, events, and the culture over and over. Nobody was paying me much attention—understandably, since they were all watching a barefoot Marilyn, in a skintight black dress, undulate around the living room with Newman, lithe and sinewy in chinos and T-shirt. They seemed to be dancing with such rapture; they both kept changing rhythms and sometimes they walk-stepped to the beat.
They broke apart, Marilyn gave a giggle and a curtsy, and Newman bowed and moved directly past me through the crowd to get a beer. Newman and Woodward share a laugh in their Beverly Hills home in , the year they were married. Richard Davalos would play the part. I watched him from the audience and thought he was amazing. I saw him in movies too, in Cat on a Hot Tin Roof, for one, as the sulky, drunken Brick opposite Liz Taylor a role that earned him his first Oscar nomination.
His second wife, Joanne Woodward, whom he had just married, starred opposite him. Woodward was a member of the Actors Studio, too. She was 28—a slender, lovely blonde with a slight southern drawl. It was said she possessed a genius I. Newman doted on her. After class they were sometimes seen walking hand in hand down West 44th Street. They seemed very much in love. Elia Kazan, who was directing, made Newman tint his hair red and shave his hairline so he would look more like a predatory gigolo.
Kazan also tried to break his new movie-star cockiness by telling the rest of the cast not to speak to him during rehearsal. He was bowled over by the creative diversity of the place—from the gnarled ancient actress Tamara Dakahanova, who had worked with Konstantin Stanislavsky at the Moscow Art Theatre, to Martin Ritt, a Group Theatre alum who would later direct Newman in six movies, including Hud. Newman would always credit the Studio as the major influence on his acting. What am I doing here? Where am I going as the character? Newman liked what he saw so much he decided to film it, and he shot it in five days in the auditorium of the Orpheum Theatre, on Second Avenue.
Later there was a screening for the public. He thought maybe he would direct and produce someday. Jack Garfein, another talented young Studio director, then married to Carroll Baker a huge hit in Baby Doll , became friends with Newman. The two of them would go to a diner on West 44th Street after class and sit with other actors to talk shop. At this point he was considered the most beautiful man in the movies. I remember going to see Hud in , the day it opened, with some Studio friends. The theater was jammed, and we all cheered and laughed at Newman, who was so full of energy and wit as the nihilistic heel—the swaggering cowboy who wants all the good things in life and to hell with everybody else!
To his innate sweetness and honesty.
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He had such extraordinary audience rapport that they refused to believe Hud could be that selfish, and if he was—so what? They rather enjoyed it. Now he was earning more than a million dollars a picture and getting a hefty percent of the profits. After he made Harper where he played a sexy gum-chewing detective , in , women starting coming after him in droves. Whenever he appeared in public with Woodward and the children, admirers would literally shove past the kids to get a closer look at Newman.
She admitted it was difficult to relate to this superstar, since this superstar had nothing to do with her husband. Do I wash them first and then shake hands? Or do I shake hands and then wash up? Customers gaped and sighed as he stood in line. He liked being in good shape. He did push-ups; he traveled with a portable sauna and would often soak his face in ice water or go swimming in a cold lake.
Sometime in , Newman ran into Jack Garfein in L. Garfein was helping to organize Actors Studio West. His celebrity prevented him. He had to make some changes in his life. The turning point came in , when he was He decided to direct his first feature film, starring Woodward. Called Rachel, Rachel, it was the poignant story of a lonely, sexually frustrated spinster schoolteacher who finally gets involved with a man.
It was a true labor of love. Paul wanted to do it for Joanne. Maybe it can encourage the people who see it to take those little steps in life that can lead to something bigger.
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He liked to take risks. It was summer when he filmed Rachel, Rachel.
'FORT APACHE, THE BRONX,' WITH PAUL NEWMAN
On set he wore shorts and a T-shirt, reinforcing the overall relaxed attitude. He surrounded himself with a cast of Actors Studio actors, including James Olson and Estelle Parsons who was about to win an Oscar for her high-voltage performance in Bonnie and Clyde. We were a real ensemble; we had three weeks of rehearsal first.
But suddenly I realized that it freed me to be this person. While principal photography was completed in six weeks, it took Newman another eight months to edit the film, with Dede Allen, the celebrated film editor Reds, Bonnie and Clyde. The only major disagreement Newman had during production was over his director credit. He was worried audiences would be distracted if his name was at the start of the film, so he opted for having it at the end.
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The Directors Guild rejected his request, arguing that its policy mandated that the credit appear at the beginning. Newman appealed to Elia Kazan and William Wyler. In the midst of editing Rachel, Rachel, Newman decided to actively campaign for Eugene McCarthy, the Democratic senator from Minnesota, who had recently announced he would be a candidate for the presidency.
The country was still reeling from J. There were mass protests in the streets and on school campuses. Many year-olds were burning their draft cards. He had supported the civil-rights movement from the very beginning, participating in sit-ins and demonstrations and giving money to Martin Luther King Jr. He joined Brando in Gadsden, Alabama, Ku Klux Klan country, and together they also traveled to Sacramento to protest at a whites-only housing development.
Cool Hand Luke had just opened around the country to huge business—the Luke character, which Newman played to perfection, was a fierce and funny nonconformist, a rebel. The character connected with the counterculture—and with the public in general. Newman was a bigger star than ever, much to his discomfort. McCarthy had few supporters, save for some college students and anti-war activists.
Newman flew up to the wilds of New Hampshire in the dead of winter. It was bitter cold when he arrived in the small city of Claremont, where he was picked up by Tony Podesta, a student from M. Today he is a well-known D. The country needs it. He started being taken seriously. What happened next is recorded history. He had lied.
Kennedy announced he was running for president.
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