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Eventually you come crashing through. Feb 14, Tori Hook rated it really liked it Shelves: would-recommend. I'm not sure exactly how to describe Emily Geminder's prose - dreamlike, in both its pacing and its attention to detail. Why is it that we always remember the strangest details after dreams? This book, it seems to me, is a narrative of erasure, detailing the things that erase us and our attempts to stop them. Geminder experiments with form, with narrator, even writing from the elusive "we. Nov 12, Emma rated it it was amazing Shelves: favorites , trauma , memory.

Every line is gorgeous. This book kills me in the best of ways. I whispered. I wore her hand-me-downs like shrouds. I studied each and every one of her gestures and pulled on my second toe—it would grow longer, I thought, like hers—and this pulling became its own gesture, a secret sign between us. I was her mimic, her mime.

Dead Girls and Other Stories

I wanted to make myself a double. Or I wanted to grow inward, truer—toward the unspeakable part of me she seemed to speak.

Alice Bolin - Dead Girls

There are the usual ways of falling in lo Every line is gorgeous. There are the usual ways of falling in love.


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  • Emily Geminder - Author of Dead Girls and Other Stories?

Less talked about are the ways in which one person may decide to become another. To transform, to transfigure. To come through the slow sludge of metamorphosis and find oneself changed. Jun 04, Ruth rated it it was amazing. The stories in this collection are lyrical, yet also display an intelligence that allured me to the page.

In particular, Geminder captures the confusion of coming-of-age as well as the dislocation of expat life in prose that is compelling and in a tone that manages to feel "cool," but in the best of ways. Jul 14, Jean rated it it was amazing. Very weird and also wonderful. A lot about ghosts but not about ghosts exactly, more like the ways we are haunted by places, people, the past. Dec 17, Patrick Tierney rated it really liked it.

Best stories evoke Offill. Choreograph, Dead Girls, Houses. Mar 30, Blair rated it liked it. This book has some beautiful language and fascinating moments- but it was very hard for me to track. I usually do not read story collections for some of the reasons in this story collection: repetition between unrelated stories, the feeling of lost time and place, lack of general clarity of subject.

That being said, there are still good things about this collection. Feb 07, Casi May rated it it was amazing. Feb 05, Andrea Lerner rated it it was amazing. This was an intriguing collection, the kind that keeps shifting, unsettling the ground beneath your feet. Certain stories circle back to each other and call into question what you thought you knew.

Would recommend this one highly. Jan 25, Ravi rated it it was amazing. Doing really powerful work in the interstices of imagination and memory. Reminiscent of Denis Johnson, Maggie Nelson, etc. Favorite stories were Dead Girls and Choreograph. Dec 31, Lori Saporito rated it it was amazing. I had no intention of reading all of the stories in this book. I'm not a fan of short stories and only picked up the book because I knew the author as a young girl.


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Within 24 hours I had read the entire book, not missing a single sentence. Oh my goodness. What compelling stories, what absolutely beautiful writing. Thank you, Emily, for pursuing your dreams of becoming an author. I'm looking forward to future books. Nov 15, Cora Reed rated it it was amazing. The language is exquisite and can seem almost dreamlike, but it has an undercurrent of pure steel.

It explores gender and geopolitics and violence and love with precise, gorgeous prose and never flinches from the uncomfortable in-between spaces. Instead, it relishes them. Research is woven in without ever distracting from the narrative and--if you're anything like me--you'll google a few things when you can put the book down to find out even more. These stories are filled with curiosity about th The language is exquisite and can seem almost dreamlike, but it has an undercurrent of pure steel. These stories are filled with curiosity about the world and it makes the reader curious.

I've read this collection twice already and I'll probably read it again before the year's end, and every reading helps me notice something new. I can't recommend Dead Girls enough. Dec 09, Karen rated it it was amazing. A haunting collection of stories that span the globe from Cambodia to India and back to the United States.

The stories are fast paced and easy to read in 24 hours but they will linger and come back to mind long after you have finished the book. Using lyrical and beautiful language, the author fearlessly touches on themes of violence, death, mental illness and sexual harassment inviting the reader to want to wonder about her characters.

I can't wait to read more from this author. Nov 04, Ziggy rated it it was amazing. A book about connections between people, mostly dead but not necessarily girls, unfortunate events, literature, choreography, mental illness, Prince songs, and the time the Undertaker threw Mankind off Hell in a Cell. Easily the most intelligent thing I've read in years, though to be fair I mostly read dumb things. The author makes excellent use of intertextuality and research to vividly communicate her ideas.

Bonus points for writing about adventures in Asia without sounding like one of Rudyard A book about connections between people, mostly dead but not necessarily girls, unfortunate events, literature, choreography, mental illness, Prince songs, and the time the Undertaker threw Mankind off Hell in a Cell.

Bonus points for writing about adventures in Asia without sounding like one of Rudyard Kipling's farts echoing racistly through eternity. Aug 07, Anne rated it really liked it. A book about how, as we age, foreignness and childhood become a kind of ghostly presence that we will ever be haunted by, and fear, and love.

How we cross that border endlessly and never stop. And about the cruelty that humans are capable of when the ghosts are unexplainably angry. I love how books so seemingly disparate in subject matter can feel united--that thread is endlessly satisfying to me. Jul 21, Callie rated it it was amazing. A really beautiful writer. These stories are engaging and fresh, all dealing in some way with what it means to live in the "aftermath" - whether personal, political, historical.

Why America Is So Obsessed with Dead Girls - VICE

The stories range from friendships between girls to conversations between ghostly pilots, but all think deeply about what it means to be more or less than one person, and how identities may blur. There were a lot of really good stories here, but a few that I really had to force myself to finish. Jun 05, Laura rated it really liked it. It's a short but very intense collection that focuses on subject matter that I don't usually seek out, but found myself really intrigued by all the same.

Jul 26, Donna Freeman rated it it was amazing. Aug 12, Ellen rated it it was amazing Shelves: loved. A provocative and compelling debut. All the stories are written in radically different forms yet they felt all very connected too. Nov 03, Valerie Lacey rated it it was amazing. I wanted some of these stories to be novels. Oct 30, Sam rated it it was amazing. Truly spectacular. Aug 01, saradevil rated it liked it. Thoroughly enjoyed the style of writing. Reads like a memoir, which may or may not have been the point. Jan 08, MBH rated it liked it.

Definitely one of my least favorite books. I love beautiful sentences, and I love stories that weave in out through multiple scales of time, geographies and characters. But in this book, Geminder's own personal history takes center stage with the repetition of various details throughout the book. Just like the murdered women in entertainment about violent crime, the female victim in the case became a canvas on which to project the racist fears and social anxieties of others.

Presumably because of the intended scope of the book, however, there are few more instances in which Bolin ventures beyond examining media and into the broader conversation about American misogyny and constructed social hierarchies. Finishing the collection, I was left wondering how these depictions relate to things like pick-up artist communities , rape on university campuses , and violence against sex workers. And in particular, I was left reflecting on the actions of Canadian Alek Minassian , who drove a van through a crowd of pedestrians in Toronto, killing ten people. And so, in my simplified theorization: At a time when, in real life, men are increasingly losing their dominance over women, Dead Girl Shows offer an acceptable opportunity to see women in the most extreme state of submission—merely a beautiful corpse.

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Kimberly Davies, professor of sociology and chair of the department of social sciences at Augusta University, offered me another explanation: Crime shows that center on the murder of a woman play on the fears of women. Trying to solve crimes offers viewers hope, purpose, and progress—or at least makes them feel that way. Sign up for the best of VICE, delivered to your inbox daily.

In her new collection of essays, "Dead Girls," author Alice Bolin examines entertainment about dead women to help us understand how misogyny shapes media—and how media feeds misogyny. Laura Palmer's corpse in Twin Peaks.