When Norfolk protests again, Cromwell points out that he has instructions from the king to get More to consent.
Cromwell plans to use the information Rich provided about the silver cup to blackmail More into submission. When Norfolk refuses to believe that More has ever accepted a bribe, Cromwell brings in Rich and the woman who gave More the cup. Though the woman did not get the judgment she wanted from More, she nonetheless admits that she sent him the silver cup. Rich attests that More received the cup, and Cromwell has enlisted Matthew to corroborate the fact that More gave the cup to Rich.
Norfolk, however, remembers the night that Rich received the cup, and he reminds Rich that he got the cup the same month that More did.
Thus, Norfolk asserts, as soon as More realized the cup was a bribe, he got rid of it. When Norfolk exits, Cromwell turns on Rich and rebukes him for not remembering that the duke was present the night More gave Rich the cup.
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Just as Cromwell and Rich are leaving, Matthew appears and reminds Rich that he said that he might need a steward. This question must be answered in the climax of the story. The answer is often yes ; no ; maybe ; yes, but.
The first act is usually used for exposition , to establish the main characters, their relationships and the world they live in. Later in the first act, a dynamic, on-screen incident occurs, known as the inciting incident , or catalyst , that confronts the main character the protagonist , and whose attempts to deal with this incident lead to a second and more dramatic situation, known as the first plot point, which a signals the end of the first act, b ensures life will never be the same again for the protagonist and c raises a dramatic question that will be answered in the climax of the film.
The dramatic question should be framed in terms of the protagonist's call to action, Will X recover the diamond? Will Y get the girl? Will Z capture the killer?
Three-act structure - Wikipedia
The second act , also referred to as "rising action", typically depicts the protagonist's attempt to resolve the problem initiated by the first turning point, only to find themselves in ever worsening situations. Part of the reason protagonists seem unable to resolve their problems is because they do not yet have the skills to deal with the forces of antagonism that confront them. They must not only learn new skills but arrive at a higher sense of awareness of who they are and what they are capable of, in order to deal with their predicament, which in turn changes who they are.
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This is referred to as character development or a character arc. This cannot be achieved alone and they are usually aided and abetted by mentors and co-protagonists.
The third act features the resolution of the story and its subplots. The climax is the scene or sequence in which the main tensions of the story are brought to their most intense point and the dramatic question answered, leaving the protagonist and other characters with a new sense of who they really are.
From Wikipedia, the free encyclopedia.